De Ricci, Seymour, and W. J. Wilson. Census of Medieval and Renaissance Manuscripts in the United States and Canada. Vol. 1. New York: H. W. Wilson Company, 1935; p. 783, cat. no. 165.
Chaucer’s World, compiled by E. Rickert and edited by C.C. Olson and M.M. Crowillus. New York, 1948; illustration opposite p. 27, after p. 28, 346.
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Janson, H.W. Apes and Ape Lore in the Middle Ages and Renaissance. London: Studies of the Warburg Institute, 1952; pp. 171, 187, 188 (n. 10), 189 (n. 23, 25), 190 (n. 32), 192 (n. 46), 193 (n. 60), Pl. XXXIXc.
Randall, Lillian M.C. Images in the Margins of Gothic Manuscripts. Berkeley and Los Angeles: Berkeley University Press, 1966; p. 38 and pasisim, figs. 138, 189, 237, 343, 450, 469, 476.
Verdier, P. “Woman in the Marginalia of Gothic Manuscripts.” In The Role of Women in the Middle Ages, 121-160. Papers of the Sixth Annual Conference for Medieval and Early Renaissance Studies, State University of New York at Binghamton, 6-7 May 1972. Albany, NY, 1975; p.134 (n. 76).
Schulize-Busacker, E. “Eléments de culture populaire dans la littérature courtoise.” La culture populaire au moyen âge. Etudes présentés au quatrième colloque de l’Institut d’études médiévales de l’Université de Montréal 2-3 April 1977. Montreal, 1979; p. 93, illustration.
Smith, S. “‘Game in myn Hood’: The Tradition of a Comic Proverb.” Studies in Iconography 9 (1983); p. 5, fig 2.
Davidson, Clifford, ed. Early Drama, Art, and Music: Word, Picture, and Spectacle. Kalamazoo: Medieval Institute Publications. 1984 (fols. 39r, 86v, 106r, 157r; pp. 2, 7, cover, cat. 3, 7, 21)
Randall, Lillian M.C. Illuminated Manuscripts: Masterpieces in Miniature, Highlights from the Collection of the Walters Art Gallery. Baltimore: Trustees of the Walters Art Gallery, 1984; PL. 17.
Wendersdorf, K.P. “The Symbolic Significance of Figurae Scatologicae in Gothic Manuscripts.” Word, Literature, and Picture, edited by C. David. Kalamazoo, 1984; p. 7, fig. 21, cover.
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Owens, M.B. “Musical Subjects in the Illumination of Books of Hours from Fifteenth-Century France and Flanders.” Ph.D. diss, University of Chicago, 1987; p. 368.
Oliver, J.H. Gothic Manuscript Illumination in the Diocese of Liège (c. 1250-1350), Vol. 1. Louvain, 1988; p. 94 (n. 14).
Wieck, Roger S. Time Sanctified: The Book of Hours in Medieval Art and Life, exhibition catalogue. Baltimore, MD: Trustees of the Walters Art Gallery, 1988; pp. 51, 54, 158, 208: cat. no. 80, figs. 21, 25.
Gillmeister, H. Kulturgeschichte des Tennis. Sonderausgabe fur den Deutschen Tennis-Bund. Munich, 1990; pp. 25-26, figs. 11a, b.
Neaman, Judith S. “The Mystery of the Ghent Bird and the Invention of the Spectacles”. Viator Medieval and Renaissance Studies 24 (1993):189-214; pp. 208-209, fig. 4.
Śnież-Stolot, E. “Das Ptolemäische Weltbild und die Mittelalterliche Ikonographie.” Winer Jahrbuch für Kunstgeschichte 46.47 (1993/1994: 669-713; pp. 879-880, figs. 1, 4.
Gillmeister, Heiner. Tennis: A Cultural History. London: Leicester University Press, 1997; pp. 15-16 (fig. 10), 67, 76, 436.
Randall, Lillian, M.C. Medieval and Renaissance Manuscripts in the Walters Art Gallery. Vol. 3, Belgium, 1250-1350. Baltimore and London: Johns Hopkins University Press in association with the Walters Art Gallery, 1997; pp. 67-72, cat. no. 222.
Henisch, Bridget Ann. The Medieval Calendar Year. University Park, PA: The Pennsylvania State University Press, 1999; pp. 29 (as fig. 8-4), 33 (as fig. 7-12), 34 (as fig. 7-1), 43 (as fig. 7-12), 45 (as fig. 7-12), 115 (as fig. 7-1), 170 (fig. 7-1), 177 (as fig. 7-8) , 179 (fig. 7-8), 184 (as fig. 7-1), 185 (as fig. 7-12), 186 (fig. 7-12), 200 (as fig. 7-8), 203, (as fig. 8-4), 204 (fig. 8-4), 221 (as fig. 7-8).
Noel, William. “Medieval charades and the visual syntax of the Utrecht Psalter.” In Studies in the Illuminated Psalter. Edited by Brendan Cassidy and Rosemary Wright, 34-54. Stamford: Shaun Tyas, 2000; p. 35.
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Joslin, Mary Coker, and Carolyn Coker Joslin Watson. The Egerton Genesis. Toronto: University of Toronto Press, 2001; pp. 69, 86, 173, 175, 177, 242.
Śnieżyńska-Stolotowa, Ewa. Astrological Iconography in the Middle Ages: The Decanal Planets. Krakow: Jagiellonian University Press, 2003; pp. 38, 76.
Mellinkoff, Ruth. Averting Demons. Los Angeles: Mellinkoff Publications, 2004; p. 151 (fig. VII.7).
Willemsen, Annemarieke. The Game of the Month: Playful Calenders in Ghent-Bruges Books of Hours. In Manuscripts in Transition. Proceedings of the International Congres Held in Brussels (5-9 November 2002). Edited by Brigitte Dekeyzer and Jan Van der Stock, 419-430. Lueven: Uitgeverij Peeters, 2005; pp. 427, 430 (n. 26).
Dillon, Emma. “Representing Obscene Sound.” In Medieval Obscenities, edited by Nicola McDonald, 55-84. Woodbridge, Suffolk: York Medieval Press, 2006; p. 71.
Mellinkoff, Ruth. “Break a Leg!” In Tributes in Honor of Jonathan J.G. Alexander: The Making and Meaning of Illuminated Medieval and Renaissance Manuscripts, Art, and Architecture. Edited by Susan L’Engle and Gerald B. Gest, 233-248. Turnhout, Belgium: Harvey Miller Publishers, 2006; p. 243.
Newman, Paul B. Growing Up in the Middle Ages. Jefferson, NC: McFarland and Company, 2007; p. 89, fig. 22.
Vanwijnsberghe, Dominique. “Moult bons et notables”: l’enluminure tournaisienne à l’époque de Robert Campin (1380-1430). Leuven: Peeters, 2007; p. 169 (n. 499 for p. 150).
Wirth, Jean, and Isabelle Engammare. Les marges à drôleries des manuscrits gothiques, 1250-1350. Geneva: Librairie Droz, 2008; 133, 134, 207, 212, 215, 219, 233, 246-247, 273, 298, 300, 310, 324, 344, 361.
Dillon, Emma. The Sense of Sound: Musical Meaning in France, 1260-1330. Oxford: Oxford University Press, 2012; pp. 228-231, fig. 6.23 236-239, fig. 6.27.
Leo, Dominic. Images, Texts, and Marginalia in a “Vows of the Peacock” Manuscript (New York, Pierpont Morgan Library MS G24). Leiden, Netherlands: Brill Publishers, 2013; p. 344.
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